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Planar Quad Panelization

Instructor

Matthew Conway

School

USC School of Architecture

Designed

2021

CAD software

Rhino & Grasshopper

Illustration

Indesign and Illustrator

This project investigates the challenges and possibilities of panelizing intersecting curved surfaces. Using Rhino, I modeled a closed volume composed of various surface types, including developables, surfaces of revolution, and other PQ mesh surfaces. The primary focus was to develop and extract UV iso-curve networks, both uniform and non-uniform, to generate panel layouts for each surface.

The core challenge was resolving the intersections between these panelized surfaces with both geometric precision and aesthetic elegance. While quadrangular panels were predominantly used, triangles and pentagons were strategically employed to address disparities in the iso-curve networks where the surfaces met. The objective was to minimize the use of triangles and establish a clear and consistent logic for their deployment, ensuring a cohesive visual language across the model.

Physical Model: To further explore the design's implications for fabrication and assembly, I constructed a physical model using bristol paper. This tangible representation allowed for an in-depth examination of the form's spatial qualities, light interaction, and the effects of panel modulation. The model's joinery, achieved through scoring, folding, and gluing, was carefully executed to minimize visual disruption and maintain the geometric integrity established in the digital model.

Key Skills Demonstrated:

Advanced 3D modeling: Proficiency in Rhino and complex surface construction.
Parametric design: Skill in generating and manipulating UV iso-curve networks for panelization.
Geometric problem-solving: Ability to resolve complex surface intersections with precision and creativity.
Physical model making: Expertise in translating digital designs into tangible forms with careful attention to detail and craft.

This project showcases my ability to navigate complex geometric challenges while maintaining a strong aesthetic sensibility. It highlights my skills in both digital and physical modeling, and my commitment to exploring the interplay between form, structure, and fabrication.

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